ITC Nova Lineta
Font Family by Slobodan Jelesijević
The ITC Nova Lineta design is the first commercial typeface from Slobodan Jelesijevic. As with many typeface designs, it began as simple sketches. “I was working on a packaging design project,”” recalls Jelesijevic, “and wanted an informal, slightly cursive design for the type. I could not find anything that matched my need, so I began sketching.” The preliminary design had an elegant yet fresh quality that, once developed, turned out to be perfect for Jelesijevic’s project.
Condensed
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100
The swelter of heat was of almost tropical intensity.
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55
For the moment they seemed concerned with nothing but their ease, and the swarming flies, and the voracious attacks of the mosquitoes from which the smoke of their camp fire did its best to protect them.
Extended
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20
He missionary had applied himself to his task with that close concentration which betokened the urgency of his desire. He had been at work for over an hour. Now he sat with his great body hunched over the table, and, with poised pen, was at last regarding his completed work. The large sheet of paper stared back at his darkly brooding eyes, and the careful tracery on its surface spread from one end of it to the other. It was the drawing of a wide, winding river. And along its entire course was dotted every detail of natural formation which his keen memory supplied him with. Hills were carefully drawn. Woodland bluffs were marked with due regard to their extent. Everything that could serve to guide the explorer was there set out. Every title for each natural feature was inscribed, and one wide stretch of river foreshore was outlined in red ink and inscribed with the words "mouth of creek".
Regular
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28
A wide panorama of the past swept into his view. It began, as everything seemed to begin with him now, at that time when he and his young wife had taken their final decision to move northwards where their spiritual desires could find expression in the wilderness of untamed Nature. He remembered, how keenly he remembered, the surge of thrilling anticipation with which they had embarked on their mission.

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14
Phileas Fogg, having shut the door of his house at half-past eleven, and having put his right foot before his left five hundred and seventy-five times, and his left foot before his right five hundred and seventy-six times, reached the Reform Club, an imposing edifice in Pall Mall, which could not have cost less than three millions. He repaired at once to the dining-room, the nine windows of which open upon a tasteful garden, where the trees were already gilded with an autumn colouring; and took his place at the habitual table.

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14
Phileas Fogg, having shut the door of his house at half-past eleven, and having put his right foot before his left five hundred and seventy-five times, and his left foot before his right five hundred and seventy-six times, reached the Reform Club, an imposing edifice in Pall Mall, which could not have cost less than three millions. He repaired at once to the dining-room, the nine windows of which open upon a tasteful garden, where the trees were already gilded with an autumn colouring; and took his place at the habitual table.

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14
Phileas Fogg, having shut the door of his house at half-past eleven, and having put his right foot before his left five hundred and seventy-five times, and his left foot before his right five hundred and seventy-six times, reached the Reform Club, an imposing edifice in Pall Mall, which could not have cost less than three millions. He repaired at once to the dining-room, the nine windows of which open upon a tasteful garden, where the trees were already gilded with an autumn colouring; and took his place at the habitual table.

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14
Phileas Fogg, having shut the door of his house at half-past eleven, and having put his right foot before his left five hundred and seventy-five times, and his left foot before his right five hundred and seventy-six times, reached the Reform Club, an imposing edifice in Pall Mall, which could not have cost less than three millions. He repaired at once to the dining-room, the nine windows of which open upon a tasteful garden, where the trees were already gilded with an autumn colouring; and took his place at the habitual table.
Posters
Weights
ITC Nova Lineta Regular
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
ITC Nova Lineta Condensed
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
ITC Nova Lineta Extended
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
Family Info
Weights & Styles:
  • Regular
  • Condensed
  • Extended
Languages:
Albanian, Alsatian, Aragonese, Arapaho, Arrernte, Asturian, Aymara, Basque, Bislama, Breton, Cebuano, Chamorro, Cheyenne, Corsican, Danish, Demo, Dutch, English, Estonian, Faroese, Fijian, Finnish, FrenchFrench Creole (Saint Lucia), Frisian, Galician, Genoese, German, Gilbertese (Kiribati), Greenlandic, Haitian Creole, Hiligaynon, Hmong, Hopi, Ibanag, Icelandic, Iloko (Ilokano), Indonesian, Interglossa (Glosa), Interlingua, Irish (Gaelic), Italian, Jèrriais, Latin Basic, Lojban, LombardLuxembourgian, Malagasy, Manx, Mohawk, , Norfolk/Pitcairnese, Northern Sotho (Pedi), Norwegian, Occitan, Oromo, Pangasinan, Papiamento, Piedmontese, Portuguese, Potawatomi, Rhaeto-Romance, Romansh (Rumantsch), Rotokas, Sami (Lule), Samoan, Sardinian (Sardu), Scots (Gaelic), Seychellois Creole (Seselwa), Shona, Sicilian, Somali, Southern Ndebele, Southern Sotho (Sesotho), Spanish, Swahili, Swati/Swazi, Swedish, Tagalog (Filipino/Pilipino), Tetum (Tetun), Tok Pisin, Tswana, ubasic, Uyghur (Latinized), Volapük, Votic (Latinized), Walloon, Warlpiri, Xhosa, Yapese, Zulu
Supported Codepages:
  • ISO 8859 - 1 Latin 1 (Western)
License:
TDFFF EULA

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