Vezus Serif Texture
Font Family by Slobodan Jelesijević
Vezus Serif Texture is a marvelous typeface inheriting the character and originality of its older brother – the Vezus Serif Black. Additionally we have very sophisticated yet natural and authentic texture applied over the charters preserving their original outlines and readability and at the same time looking so precise – right where it should be. Using a black weight is of course the perfect choice giving you the chance to use even more of this beautiful texture and enhance the presence of vintage appearance. In Vezus Serif Texture is so complex and original that a single letter used in large size is absolutely enough to create a stunning design. Used solely or in combination with flared Vezus or Vezus Serif families by Tour de Force this hot new display version is perfect for posters & brochures, t-shirts, signboards, and logos. Your designs with Vezus Serif Texture will look awesome and if you really want to hit the top simply try the extra font style for Shadow effect – it will surely change your work by making it even more sophisticated and authentic. When printed, use it as big as possible. Remember – size does matter! Silk screen or letterpress are Vezus Serif Texture’s best friends. Try it with overprints too and if you have extra budget and courage use it with deep reverse embossing and discover the true beauty of its texture. Enjoy!
One
  • One
  • Shadow
The swelter of heat was of almost tropical intensity.
Shadow
  • One
  • Shadow
The two men on the river bank gave no heed to the oppressive heat. For the moment they seemed concerned with nothing but their ease, and the swarming flies, and the voracious attacks of the mosquitoes from which the smoke of their camp fire did its best to protect them.
One
  • One
  • Shadow
Phileas Fogg, having shut the door of his house at half-past eleven, and having put his right foot before his left five hundred and seventy-five times, and his left foot before his right five hundred and seventy-six times, reached the Reform Club, an imposing edifice in Pall Mall, which could not have cost less than three millions. He repaired at once to the dining-room, the nine windows of which open upon a tasteful garden, where the trees were already gilded with an autumn colouring; and took his place at the habitual table, the cover of which had already been laid for him. His breakfast consisted of a side-dish, a broiled fish with Reading sauce, a scarlet slice of roast beef garnished with mushrooms, a rhubarb and gooseberry tart, and a morsel of Cheshire cheese, the whole being washed down with several cups of tea, for which the Reform is famous. He rose at thirteen minutes to one, and directed his steps towards the large hall, a sumptuous apartment adorned with lavishly-framed paintings. A flunkey handed him an uncut Times, which he proceeded to cut with a skill which betrayed familiarity with this delicate operation. The perusal of this paper absorbed Phileas Fogg until a quarter before four, whilst the Standard, his next task, occupied him till the dinner hour. Dinner passed as breakfast had done, and Mr. Fogg re-appeared in the reading-room and sat down to the Pall Mall at twenty minutes before six. Half an hour later several members of the Reform came in and drew up to the fireplace, where a coal fire was steadily burning. They were Mr. Fogg's usual partners at whist: Andrew Stuart, an engineer; John Sullivan and Samuel Fallentin, bankers; Thomas Flanagan, a brewer; and Gauthier Ralph, one of the Directors of the Bank of England—all rich and highly respectable personages, even in a club which comprises the princes of English trade and finance.
Shadow
  • One
  • Shadow
It was Phileas Fogg, whose head now emerged from behind his newspapers, who made this remark. He bowed to his friends, and entered into the conversation. The affair which formed its subject, and which was town talk, had occurred three days before at the Bank of England. A package of banknotes, to the value of fifty-five thousand pounds, had been taken from the principal cashier's table, that functionary being at the moment engaged in registering the receipt of three shillings and sixpence. Of course, he could not have his eyes everywhere. Let it be observed that the Bank of England reposes a touching confidence in the honesty of the public.
Weights
Vezus Serif Texture One
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
Vezus Serif Texture Shadow
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
Glyphs
Posters
Family Info
Weights & Styles:
  • One
  • Shadow
Languages:
Albanian, Alsatian, Aragonese, Arapaho, Aromanian, Arrernte, Asturian, Aymara, Basque, Belarusian (Lacinka), Bislama, Bosnian, Breton, Cebuano, Chamorro, Cheyenne, Chichewa (Nyanja), Cimbrian, Corsican, Croatian, Czech, Danish, Demo, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, French, French Creole (Saint Lucia), Frisian, Friulian, Galician, Genoese, German, Gilbertese (Kiribati), Greenlandic, Haitian Creole, Hawaiian, Hiligaynon, Hmong, Hopi, Hungarian, Ibanag, Icelandic, Iloko (Ilokano), Indonesian, Interglossa (Glosa), Interlingua, Irish (Gaelic), Istro-Romanian, Italian, Jèrriais, Kashubian, Kurdish (Kurmanji), Ladin, Latin Basic, Latvian, Lithuanian, Lojban, Lombard, Low SaxonLuxembourgian, Malagasy, Maltese, Manx, Maori, Megleno-Romanian, Mohawk, Nahuatl, Norfolk/Pitcairnese, Northern Sotho (Pedi), Norwegian, Occitan, Oromo, Pangasinan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Quechua, Rhaeto-Romance, Romanian, Romansh (Rumantsch), Rotokas, Sami (Inari), Sami (Lule), Samoan, Sardinian (Sardu), Scots (Gaelic), Seychellois Creole (Seselwa), Shona, Sicilian, Slovak, Slovenian (Slovene), Somali, Southern Ndebele, Southern Sotho,(Sesotho), Spanish, Swahili, Swati/Swazi, Swedish, Tagalog (Filipino/Pilipino), Tahitian, Tausug, Tetum (Tetun), Tok Pisin, Tongan (Faka-Tonga), Tswana, Turkish, Turkmen, Turkmen (Latinized), Tuvaluan, ubasic, Uyghur (Latinized), Veps, Volapük, Votic (Latinized), Walloon, Warlpiri, Welsh, Xhosa, Yapese, Zulu
Supported Codepages:
  • ISO 8859 - 1 Latin 1 (Western)
  • ISO 8859 - 2 Latin 2 (Central Europe)
  • ISO 8859 - 4 Latin 4 (Baltic)
  • ISO 8859 - 9 Latin 5 (Turkish)
  • ISO 8859 - 10 Latin 6 (Scandinavian)
  • ISO 8859 - 13 Latin 7 (Baltic 2)
  • ISO 8859 - 14 Latin 8 (Celtic)
  • ISO 8859 - 3 Latin 3 (Tu, Malt, Gal, Esp)
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