Jeles
Font Family by Slobodan Jelesijević
Inheriting the beauty and style of old type classics from this genre, Jeles is blended with very elegant modern approach featuring soft corners, round slab serifs and tasty ball terminals. Jeles is designed mostly for display use and it is highly recommended to get the whole family if you want to get the best result. It is designed in two styles Condensed and Normal.

The Condensed version is developed in two weights each coming with corresponding italics. While the Normal styles are three ranging from Regular, Bold and Black. The total of 7 separate fonts inside the family are quite enough if you look for diversity and flexibility at one place. You could use the uprights for more serious and strong headlines while the Italics work perfectly for more fresh and live subheads.

Of course editorial design is only one of the many directions where Jeles family could be used successfully as we all know typefaces with so visible contrast between thin and thick and combined with classic elegance, could be easily used in every design of cosmetic industry, fashion, food, jewelry, etc. Try to design a stylish boutique shop signboard and you will surely discover its beauty and potential. Easy-to-read, it is good for print design, revealing its authentic letterpress-like character as well as perfect for screen use note that the thin strokes and serifs are not that thin to vanish on a low resolution monitor. Professionally designed, they are solid enough yet very elegant and even gentle making Jeles a desired family design of attractive web banners, web sites, apps and e-books.
Condensed Bold
  • Regular
  • Regular Italic
  • Bold
  • Bold Italic
  • Black
  • Condensed Regular
  • Condensed Bold
The swelter of heat was of almost tropical intensity.
Regular Italic
  • Regular
  • Regular Italic
  • Bold
  • Bold Italic
  • Black
  • Condensed Regular
  • Condensed Bold
The two men on the river bank gave no heed to the oppressive heat. For the moment they seemed concerned with nothing but their ease, and the swarming flies, and the voracious attacks of the mosquitoes from which the smoke of their camp fire did its best to protect them.
Bold
  • Regular
  • Regular Italic
  • Bold
  • Bold Italic
  • Black
  • Condensed Regular
  • Condensed Bold
Phileas Fogg, having shut the door of his house at half-past eleven, and having put his right foot before his left five hundred and seventy-five times, and his left foot before his right five hundred and seventy-six times, reached the Reform Club, an imposing edifice in Pall Mall, which could not have cost less than three millions. He repaired at once to the dining-room, the nine windows of which open upon a tasteful garden, where the trees were already gilded with an autumn colouring; and took his place at the habitual table, the cover of which had already been laid for him. His breakfast consisted of a side-dish, a broiled fish with Reading sauce, a scarlet slice of roast beef garnished with mushrooms, a rhubarb and gooseberry tart, and a morsel of Cheshire cheese, the whole being washed down with several cups of tea, for which the Reform is famous. He rose at thirteen minutes to one, and directed his steps towards the large hall, a sumptuous apartment adorned with lavishly-framed paintings. A flunkey handed him an uncut Times, which he proceeded to cut with a skill which betrayed familiarity with this delicate operation. The perusal of this paper absorbed Phileas Fogg until a quarter before four, whilst the Standard, his next task, occupied him till the dinner hour. Dinner passed as breakfast had done, and Mr. Fogg re-appeared in the reading-room and sat down to the Pall Mall at twenty minutes before six. Half an hour later several members of the Reform came in and drew up to the fireplace, where a coal fire was steadily burning. They were Mr. Fogg's usual partners at whist: Andrew Stuart, an engineer; John Sullivan and Samuel Fallentin, bankers; Thomas Flanagan, a brewer; and Gauthier Ralph, one of the Directors of the Bank of England—all rich and highly respectable personages, even in a club which comprises the princes of English trade and finance.
Black
  • Regular
  • Regular Italic
  • Bold
  • Bold Italic
  • Black
  • Condensed Regular
  • Condensed Bold
It was Phileas Fogg, whose head now emerged from behind his newspapers, who made this remark. He bowed to his friends, and entered into the conversation. The affair which formed its subject, and which was town talk, had occurred three days before at the Bank of England. A package of banknotes, to the value of fifty-five thousand pounds, had been taken from the principal cashier's table, that functionary being at the moment engaged in registering the receipt of three shillings and sixpence. Of course, he could not have his eyes everywhere. Let it be observed that the Bank of England reposes a touching confidence in the honesty of the public.
Weights
Jeles Regular
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
Jeles Regular Italic
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
Jeles Bold
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
Jeles Bold Italic
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
Jeles Black
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
Jeles Condensed Regular
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
Jeles Condensed Bold
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
Glyphs
Posters
Family Info
Weights & Styles:
  • Regular
  • Regular Italic
  • Bold
  • Bold Italic
  • Black
  • Condensed Regular
  • Condensed Bold
Languages:
Albanian, Alsatian, Aragonese, Arapaho, Aromanian, Arrernte, Asturian, Aymara, Basque, Belarusian (Lacinka), Bislama, Bosnian, Breton, Cebuano, Chamorro, Cheyenne, Chichewa (Nyanja), Cimbrian, Corsican, Croatian, Czech, Danish, Demo, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, French, French Creole (Saint Lucia), Frisian, Friulian, Galician, Genoese, German, Gilbertese (Kiribati), Greenlandic, Haitian Creole, Hawaiian, Hiligaynon, Hmong, Hopi, Hungarian, Ibanag, Icelandic, Iloko (Ilokano), Indonesian, Interglossa (Glosa), Interlingua, Irish (Gaelic), Istro-Romanian, Italian, Jèrriais, Kashubian, Kurdish (Kurmanji), Ladin, Latin Basic, Latvian, Lithuanian, Lojban, Lombard, Low SaxonLuxembourgian, Malagasy, Maltese, Manx, Maori, Megleno-Romanian, Mohawk, Nahuatl, Norfolk/Pitcairnese, Northern Sotho (Pedi), Norwegian, Occitan, Oromo, Pangasinan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Quechua, Rhaeto-Romance, Romanian, Romansh (Rumantsch), Rotokas, Sami (Inari), Sami (Lule), Samoan, Sardinian (Sardu), Scots (Gaelic), Seychellois Creole (Seselwa), Shona, Sicilian, Slovak, Slovenian (Slovene), Somali, Southern Ndebele, Southern Sotho,(Sesotho), Spanish, Swahili, Swati/Swazi, Swedish, Tagalog (Filipino/Pilipino), Tahitian, Tausug, Tetum (Tetun), Tok Pisin, Tongan (Faka-Tonga), Tswana, Turkish, Turkmen, Turkmen (Latinized), Tuvaluan, ubasic, Uyghur (Latinized), Veps, Volapük, Votic (Latinized), Walloon, Warlpiri, Welsh, Xhosa, Yapese, Zulu
Supported Codepages:
  • ISO 8859 - 1 Latin 1 (Western)
  • ISO 8859 - 2 Latin 2 (Central Europe)
  • ISO 8859 - 4 Latin 4 (Baltic)
  • ISO 8859 - 9 Latin 5 (Turkish)
  • ISO 8859 - 10 Latin 6 (Scandinavian)
  • ISO 8859 - 13 Latin 7 (Baltic 2)
  • ISO 8859 - 14 Latin 8 (Celtic)
  • ISO 8859 - 3 Latin 3 (Tu, Malt, Gal, Esp)
License:
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