Hedon
Font Family by Dušan Jelesijević
Hedon font family is an exotic example of how the geometry of modern grotesques could be blended with thin and thick lines familiar to serif fonts without actually crossing the doorstep of the Serif’s house. Hedon is a sans serif family benefiting both from legibility and contrast of sans and elegance and beauty of serifs. Staying in the middle between them Hedon looks neutral yet versatile and easy to read. With its 4 weight and matching italics this family is perfect solution for editorial design, though you could easily use it for wine labels, packaging, corporate ID etc. Explore the Light weights in extra large sizes for single word headlines or find out how elegant italics are in a short text paragraph. The Bold styles will make everything strong and contrast with enhanced legibility even in small sizes printed on paper or used as web font.
Bold
  • Light
  • Light Italic
  • Regular
  • Regular Italic
  • SemiBold
  • SemiBold Italic
  • Bold
  • Bold Italic
The swelter of heat was of almost tropical intensity.
Light
  • Light
  • Light Italic
  • Regular
  • Regular Italic
  • SemiBold
  • SemiBold Italic
  • Bold
  • Bold Italic
The two men on the river bank gave no heed to the oppressive heat. For the moment they seemed concerned with nothing but their ease, and the swarming flies, and the voracious attacks of the mosquitoes from which the smoke of their camp fire did its best to protect them.
Regular
  • Light
  • Light Italic
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  • Regular Italic
  • SemiBold
  • SemiBold Italic
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  • Bold Italic
Phileas Fogg, having shut the door of his house at half-past eleven, and having put his right foot before his left five hundred and seventy-five times, and his left foot before his right five hundred and seventy-six times, reached the Reform Club, an imposing edifice in Pall Mall, which could not have cost less than three millions. He repaired at once to the dining-room, the nine windows of which open upon a tasteful garden, where the trees were already gilded with an autumn colouring; and took his place at the habitual table, the cover of which had already been laid for him. His breakfast consisted of a side-dish, a broiled fish with Reading sauce, a scarlet slice of roast beef garnished with mushrooms, a rhubarb and gooseberry tart, and a morsel of Cheshire cheese, the whole being washed down with several cups of tea, for which the Reform is famous. He rose at thirteen minutes to one, and directed his steps towards the large hall, a sumptuous apartment adorned with lavishly-framed paintings. A flunkey handed him an uncut Times, which he proceeded to cut with a skill which betrayed familiarity with this delicate operation. The perusal of this paper absorbed Phileas Fogg until a quarter before four, whilst the Standard, his next task, occupied him till the dinner hour. Dinner passed as breakfast had done, and Mr. Fogg re-appeared in the reading-room and sat down to the Pall Mall at twenty minutes before six. Half an hour later several members of the Reform came in and drew up to the fireplace, where a coal fire was steadily burning. They were Mr. Fogg's usual partners at whist: Andrew Stuart, an engineer; John Sullivan and Samuel Fallentin, bankers; Thomas Flanagan, a brewer; and Gauthier Ralph, one of the Directors of the Bank of England—all rich and highly respectable personages, even in a club which comprises the princes of English trade and finance.
SemiBold Italic
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It was Phileas Fogg, whose head now emerged from behind his newspapers, who made this remark. He bowed to his friends, and entered into the conversation. The affair which formed its subject, and which was town talk, had occurred three days before at the Bank of England. A package of banknotes, to the value of fifty-five thousand pounds, had been taken from the principal cashier's table, that functionary being at the moment engaged in registering the receipt of three shillings and sixpence. Of course, he could not have his eyes everywhere. Let it be observed that the Bank of England reposes a touching confidence in the honesty of the public.
Weights
Hedon Light
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
Hedon Light Italic
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
Hedon Regular
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
Hedon Regular Italic
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
Hedon SemiBold
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
Hedon SemiBold Italic
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
Hedon Bold
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
Hedon Bold Italic
A B C D E F G H I J K L M N O P Q R S T U V W Y X Z
a b c d e f g h i j k l m n o p q r s t u v w y x z
Glyphs
Posters
Family Info
Weights & Styles:
  • Light
  • Light Italic
  • Regular
  • Regular Italic
  • SemiBold
  • SemiBold Italic
  • Bold
  • Bold Italic
Languages:
Albanian, Alsatian, Aragonese, Arapaho, Aromanian, Arrernte, Asturian, Aymara, Basque, Belarusian (Lacinka), Bislama, Bosnian, Breton, Cebuano, Chamorro, Cheyenne, Chichewa (Nyanja), Cimbrian, Corsican, Croatian, Czech, Danish, Demo, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, French, French Creole (Saint Lucia), Frisian, Friulian, Galician, Genoese, German, Gilbertese (Kiribati), Greenlandic, Haitian Creole, Hawaiian, Hiligaynon, Hmong, Hopi, Hungarian, Ibanag, Icelandic, Iloko (Ilokano), Indonesian, Interglossa (Glosa), Interlingua, Irish (Gaelic), Istro-Romanian, Italian, Jèrriais, Kashubian, Kurdish (Kurmanji), Ladin, Latin Basic, Latvian, Lithuanian, Lojban, Lombard, Low SaxonLuxembourgian, Malagasy, Maltese, Manx, Maori, Megleno-Romanian, Mohawk, Nahuatl, Norfolk/Pitcairnese, Northern Sotho (Pedi), Norwegian, Occitan, Oromo, Pangasinan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Quechua, Rhaeto-Romance, Romanian, Romansh (Rumantsch), Rotokas, Sami (Inari), Sami (Lule), Samoan, Sardinian (Sardu), Scots (Gaelic), Seychellois Creole (Seselwa), Shona, Sicilian, Slovak, Slovenian (Slovene), Somali, Southern Ndebele, Southern Sotho,(Sesotho), Spanish, Swahili, Swati/Swazi, Swedish, Tagalog (Filipino/Pilipino), Tahitian, Tausug, Tetum (Tetun), Tok Pisin, Tongan (Faka-Tonga), Tswana, Turkish, Turkmen, Turkmen (Latinized), Tuvaluan, ubasic, Uyghur (Latinized), Veps, Volapük, Votic (Latinized), Walloon, Warlpiri, Welsh, Xhosa, Yapese, Zulu
Supported Codepages:
  • ISO 8859 - 1 Latin 1 (Western)
  • ISO 8859 - 2 Latin 2 (Central Europe)
  • ISO 8859 - 4 Latin 4 (Baltic)
  • ISO 8859 - 9 Latin 5 (Turkish)
  • ISO 8859 - 10 Latin 6 (Scandinavian)
  • ISO 8859 - 13 Latin 7 (Baltic 2)
  • ISO 8859 - 14 Latin 8 (Celtic)
  • ISO 8859 - 3 Latin 3 (Tu, Malt, Gal, Esp)
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